“Don’t judge me now, just judge me tomorrow…”
After four days of films- Mr. Peter Menzies spouts his wisdom once again.
“Don’t judge me now, just judge me tomorrow…”
After four days of films- Mr. Peter Menzies spouts his wisdom once again.
Think about it.
When admitted to hospital, having doctors and nurses keeping watch over you, providing a calm and safe place for you to heal… Do you stop to say how truly grateful you are for them?
Do you acknowledge that these people, in the health and helping sector also have lives, their own people to take care of, and also have themselves to nurture?
All the countless hours of helping strangers, in all sorts of stages of life and health, at any time of day or night- being ready to not only provide medical care, but also a kind and thoughtful approach to you and your health.
Yes, I know, it is their job. But still- shouldn’t we still voice our gratitude once in a while?
Recently spending time in the hospital, I spent two nights in the new Dawson City Hospital- and I must say, what a beautiful centre as a brand new building, but also as a community of doctors, therapists, nurses, and pharmacist.
Gone were the fears of strange hospitals, with cracking paint and scuffed floors, and that awful lysol/sickly smell of unwell people. What I found were beautiful murals, spacious rooms, and wonderful staff. Because of my situation- I had to have an eye kept on me, so I got to know some of the nurses quite well- (on a patient/nurse kind of terms I guess)
The genuine humour, laughter, and interest they had shown in both myself and my artwork was so wonderful. I immediately felt safe, calm, and content in my room. It is amazing how your environment and mental state can affect your quality of sleep. – even sleeping on a hospital bed- (a.k.a. – a bit like sleeping on a block of wood) I slept like a rock, and woke up in a calm, almost meditative manner. What a wonderful change to the not-so-good nights I had been having previously.
So- To thank all these wonderful people. I decided to create my Community Project into something that would acknowledge all the special people at the Dawson City Hospital. (At least- the ones that I was lucky enough to have as providers of care for me)
How I did this was I began to knit.
I love knitting- and have always found it very therapeutic. Lately, I have been making these little pouches, “Marsupial-satchels” I call them. To carry special things that one may find dear to their heart.
Using beautiful yarn my mother had sent me in a care-package, I began to knit and crochet thinking of all the caring people who I had met when I was at the hospital. With every stitch, I silently said thank you, with every little detail, I silently reminded myself how grateful I was to have crossed paths with them. It was a very healing and meditative experience to create these little pouches. I knitted eleven pouches. And then included a little letter within each one. Here is a quote from the letter:
“Just wanted to say thank you for all of your help and patience over these past few weeks. To be able to have a safe place to go to when on cannot provide that for herself is a blessing. Therefore ~ Thank you, for being YOU! As part of my Community project for SOVA, I would very much appreciate any comments, feedback, etc. on what you think of your homemade marsupial-satchels. I wanted to give a token of appreciation, ~ you may keep, give away, switch, as you like with these little pouches. Just wanted to show in my own little way, how thankful I am for crossing paths with you ~ as you have made it a more positive one to walk.”
A close up- I hand wrote the letter, and made photocopies, providing my email and blog address for people to check out this article, and maybe even leave some feedback about what they thought about it all!
Here I am wearing one – to show size and where they would approx. rest on the body. – This pouch was made for one of the amazing doctors I am lucky enough to see once a week to help me through this all.
So far, I have not heard back from any of the medical staff on what they thought about their little marsupial-satchels. I hope to hear via email, or face to face, what they thought about it. Even if I don’t hear a peep from anyone- I know that I myself felt love and joy making and giving these away to those that had helped me, so hopefully, that loving energy will be passed along with these pouches to the 11 gentle souls who made my life a little easier to cope with this past month.
And that is my Community Project.
Somehow while in the midst of a storm- the sun breaks through the clouds to remind me that there is hope.
And by hope, I mean knowing that come summer, I will have:
Now to just survive the final days of school, holding on tight to the last bits of sanity that I have.
Here is one of the vehicles I saw in the museum today!
ELMER GAUNDREAU WITH THE CLAPP AND JONES FIRE STEAM PUMPER
1897 Clapp and Jones Fire Steam Pumper
- Put into service with the Dawson Fire Department in 1900, this was the second engine to be purchased by the city. Capable of pumping 500 gallons a minute, the double engine meant that one pump was always running, thus resulting in a near constant stream of water. The steamer had two suction and discharge openings, allowing either side to be connected for use. The frame of the steamer rests on springs, which would have helped it to run smoothly on the rough roads of early Dawson.
For more information on Firefighting and it’s history in Dawson City : Click here
And by that- I mean getting my face plaster casted for my assignment dealing with prosthetics.
First Step: Cover entire face, neck, ears, hairline, eyebrows, lips, etc. with a thick layer of Vaseline.
Step two: Have two assistants that you trust and that have previous plaster casting experience to assist you. You will be completely useless and blind in a matter of moments. So pick your assistants wisely.
I chose Bronwyn and Justice. The super-couple of SOVA. Both very talented artists. Watch out people- this duo-power is out to crash and conquer the art world!
Step 3: Have your assistants begin to plaster your face. It is honestly a rather relaxing experience. This picture was taken before they blinded me for the next hour or so.
The perks with having artists do this- is that you will have a two people who can think on their feet, strategize, and always have aesthetics in mind
Step Four: This is where I am completely unaware of what these two goof balls do whilst working on my face. I can hear, smell, but not speak or see. I have asked them to document the process- and document they did. With lots of “selfies” – Oh how I love my friends.
Finishing touches on my nostrils.
Strips of plaster had to be cut and specially fitted for the bridge, nostril, and delicate parts of my nose, eyelids and other parts of my face that proved finicky.
Step Five: Soon- I am fully plastered, and ready to sit still , try not to move to much, and allow the plaster to dry. I am completely blind, but can make some squeaky noises through the air pocket between my lips and the plaster. I sound a bit like a dolphin with a paper bag on it’s head.
Remember- I am completely unaware of what is up. All I can do is squeak and grasp blindly into the air to try to catch one of there bodies to somehow ask what is going on. I hear laughter- I can’t help but dolphin muffle and laugh as well.
Step Six: Soon it is time to peel off the mask. Bronwyn and Justice walk me over to the work desks, where I can sit on a stool, and start to scrunch and move my face beneath the mask, creating air pockets. What a weird sensation- From wet warm plaster strips, to cooling and hardening, to becoming itchy, to the peeling, pulling, and finally popping off of the mask!
The bright light of the classroom is blinding, and I feel super icky. The Vaseline saved my eyebrows, eyelashes, and hairline from being ripped out, and also just for general comfort of the skin on my face.
And here it is! My face cast! I am happy to say that it looks like me! This is step one in my prosthetic project, more strange things to come.
Thanks again Bronwyn and Justice for helping me out!
Yes, that means boobs.
As an artist- sometimes you need help, and if you have a wicked idea that involves body parts, well, you kind of need to go on a search for willing appendage donors (is a breast an appendage? never mind – you know what I mean)
So Friday after school I was an appendage donor and had my breasts plaster casted, for my friend Dana’s homework assignment on prosthetics. I am really excited to see the final project, as there will be roughly 25 sets of breasts casted for this project. You should be excited too- as I think her assignment will blow the gallery show out of the water.
So to spread the good karma, and to satisfy my curiosity- we set up shop in the wheelchair washroom and got to work. And because I am way to curious for my own good- I requested another student (Props go to Lucy) to film and help me create a stop-motion film documenting the process. Because hey, it’s not everyday you get to create art with your rack, am I right ?
I found the whole experience relatable to a tea party with friends, it was very casual, and had lots of laughter, the only thing missing was the tea. Weirdly enough, this was something that I truly needed since my mental health has decided to play dangerously with my well being these days. It was also a nice pick me up- it’s nice to be part of someone’s art project. Even if it is just your breasts. I like to help out where I can, what can I say?
I think the practice of being a nude model for KIAC drawing nights helped with some of my body confidence/acceptance issues- and to be honest- this whole getting naked for art thing is quite liberating! To be able to find the beauty in someone else’s, as well as your own body, is such a wonderful thing.
I look forward to creating this stop-motion film. I feel like the title should be something along the lines of “They’re Just Boobs”
Here are some quick iPhone photos of the “tea party in the washroom”
Here are the “Facebook Proof Photos”
And then here is a shot of my plaster casted upper ventral region.
Oh- The things we do for art.
Thanks for the opportunity Dana.
Here I am beside the Yukon River, with not my snowmobile- but the Doctor’s snowmobile. (I was on my own for the month of January, with a broken down skidoo- so he graciously lent me his Bravo so I could get to school and back in the cold temperatures- “my contribution to your education” he calls it. Very thankful for all the helping hands in Dawson City)
For school – we are to write about our experiences and art created at Yukon School of Visual Arts. Well, as some of you may know- My experiences at SOVA have not been of a quality that I am willing to post about on my blog. Challenges are good, yes, but this circumstance has become more of a burden than an enjoyment. More of a heavily medicated experience than an invigorating one. I don’t work in the studios unless I have too. I don’t spend time at that school unless I absolutely have too. Believe me when I say I try to enjoy every shred that I can while floating through the semester on anti-anxiety meds. Definitely not what I thought Art School was going to be like, but hey, what can I say- this is just a bump in the road, I will learn something from this (I have already learned many things while overcoming this) and I will keep on producing art. Preferably in a less medicated manner, as I do not like this whole icky, floaty, strange feeling. (But it was that or super depressed/panic mode – so I had to prioritize)
So like any small town kid would- I looked to my family, friends, and community (both Fort St. James and Dawson City) for help when times got lonely, confusing, and stressful.
Sure you could say that SOVA brought me to Dawson City- But the people who call Dawson home, that is what has really made this whole crazy first year of art school experience really worth it.
The VICTORS – Snowshoe Baseball team that I was lucky enough to be apart of!
So thank you, everyone who has held out a hand and let me grasp it and really, well, pick your brains and gain such rich and inspiring knowledge that has influenced my art and myself not only as an artist, but also as a well-rounded, strong young woman on the journey to self-healing through the practice of making art.
At the Traditional Feast- gifting a painting I created at a painting workshop at Myth and Medium to a very inspiring and talented Nunavut Artist- Mathew Nuqingaq
I have worked very hard to be successful at art school. Knowing that I learn best in a one-on-one teaching environment – I took advantage of any opportunity that presented itself. Including when my father stopped by from driving down from Tuktoyatuk, where I got to spend a weekend with one of my favourite people, being tutored to help me with a difficult project, I spent that day learning about gears, motors, and general mechanic knowledge that became very helpful for me to create my kinetic sculpture.
Hopefully- I will get the marks saved for posts regarding SOVA put towards posts that showcase the fabulous people and resources that have been available to me in Dawson City, outside of school. My fighting argument is well- if a student is struggling in Math class, he/she is allowed, even encouraged to get a tutor. So when an Art student is struggling in Art school, and feeling that her expectations are not being met, what is so wrong about turning to her newfound community for assistance? Here are a few events, places, and people who have been such amazing resources for me during my school year.
So you see, I would not have moved to Dawson City if I knew that school was going to be such a brutal experience, but then, I would not have discovered that an organic approach to gaining a well-rounded education of not only the required “foundation year” curriculum, but also the land, community, and local artistic practices does not start in the classroom, it starts with the first hand you shake, the first time you acknowledge whose lands your lucky enough to live on, and the first time you get the wool pulled over your eyes by a cheeky elder. SOVA is a young school- I have hope that they will adapt and evolve to recognize and include such experiences and opportunities for future students, I know they will, change takes time. We all know that. This experience has given me a lot to think about and a lot to smile about, and it simply reminds me that yes, it does have to get pretty dark to be able to see the beauty of the stars that the universe has gifted you to see. And the stars I have found! Oh how thankful I am.
I am also a Canine Companion and Dog Walker- this is Ziggy. Who helps me by providing smiles, howls, and laughter every Monday, Wednesday, and Friday.
Thank you, Musi Cho, Namaste
Originally posted on Don't Flinch:
I was diagnosed with Bipolar Type II disorder on January 28, 2014. I have been working on a series of images since then to depict what mania (hypomania) and depression have been like for me. These are the images in the series so far. I will be making more images for the series and will add them as they happen. To see these images in better quality (and to see a bit more than I have shared here) visit www.kaitmauro.com/bipolar. Some of these images, I found out today, are going to be featured in a show in New York City on March 29th. I will post more details about it later — for now I am…
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Originally posted on TwistedSifter:
Video producer and father of four, Nathan Ripperger, has caught himself saying the darndest things to his kids. It’ just another day in the life of a parent, only Nathan decided to illustrate his most ‘introspective’ quips.
The series has become so popular that it has spawned a series of prints (8 x 10 and 16 x 20) that you can purchase from Ripperger’s Etsy Store. You can also view larger versions of each illustration on Nathan’s Flickr profile.
Now for the parents out there, what’s the darndest thing you’ve said to your kid?
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Originally posted on 2812 photography:
Note: I usually don’t like talking about processes as they relate to whatever it is I’m shooting. Be it technical or creative, my approaches to shooting are based on what I think is needed to convey whatever it is I’m trying to shoot and not as attempts to mimic the work of others. I usually take the position of letting the work speak for itself and leaving aesthetic comparisons to those who like to do that sort of thing.
This experiment is different for several reasons. First because the technical process is directly lifted from the well known artist, Idris Khan, and second, the inspiration for the experiment is also based heavily on what I see as the original artist’s intent. There is a part of me that feels it necessary to make a distinction so as to avoid any criticisms of me attempting to pilfer someone else’s idea and…
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Originally posted on [In]Tangible: Redressing Fashion:
I’ve always had a fondness for old clothes. Whether I’m looking through my mother’s lovingly saved garments, rummaging in a vintage shop or browsing an antique market. Touching a piece of the past has always been my most powerful window into history. Whilst looking at images of what people used to wear is fascinating, being able to feel the fabrics and look at the construction has always filled me with utter excitement. Even the smell of clothing that hasn’t been worn for years is thrilling, because it’s the smell of discovery.
After reading Naomi Thompson’s book Style Me Vintage, I realised that I could tell whether vintage clothing stores were merely guessing the dates of the garments they were selling. Knowing when plastic zips became more common, and when fibre content was a legal requirement for clothing labels, is extremely useful when you’re working out whether a seller’s…
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